geschmacklaus aber laustig
mann zart - frau hart
männer spielen ballerspiele um ihre gewaltpotentiale abzubauen. hauptsache es kracht. sind ja keine echten menschen, die man umballert. frauen mögen es intelligenter. sie lehnen es ab, spiele zu spielen, in denen mit gewalt probleme gelöst werden, die es gar nicht gibt, oder die es zumindestens ohne die gewalt nicht gäbe.
…
wirklich? - na wer´s glaubt, der lese mal die folgenden kurzen ausschnitte aus walkthroughs für das (zugegeben uralte) first-person-schleichspiel „splinter cell“. die abschnitte beschreiben übrigens genau die gleichen situationen - einmal von einem mann geschrieben und einmal von einer frau:
mann | frau |
Guards will pass above you, move over to the pipe your suppose to climb and shoot the metal grating, twice if you need to until the really fast music starts playing. Climb up the pole and keep going along the roof at s2. Jump down the hole and nobody should see you, they should still be over by the air duct. |
Go along until you find a hole in the floor - throw in a grenade. Use thermal vision to see the results. checkpoint. |
To the right is another doorway ahead, three guards in this room, one right by the door, another patrolling the middle, and another standing in the middle. Once the guard patrolling the middle stops, turns his back to you, then starts moving in the opposite direction of you. Sneak behind the door guard hugging the wall on the right side of the room at s1. Staying against the wall, keep going and pass the guard that‘s standing and looking towards the middle, he won‘t see you. When you get to the end, pull yourself up over the equipment to get to the other side of the room, then into the air duct on the ground beside you when you land. |
Use thermal vision in the next room for best vision. […] Shoot the guy through the hanging plastic. Wait for second to calm down, then shoot him too, and his friend. Go around to hole in floor on left. checkpoint. |
bodycount: 0 | bodycount: 6 |
siehe auch: female fascination und walk the line
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